About Me

Elizabeth Evitts Dickinson

Author photos by Yalda Nikoomanesh

I grew up in the Blue Ridge Mountains near a creek made famous by the writer Annie Dillard. The closest city was 40 minutes away and had a bus station with a vending machine dispensing hot Dr. Pepper instead of coffee. The cheap wax cups went gummy in your hands from the heat.

Now I live in Baltimore city, this time by a river. My house was built in the 1840s, back when that rushing water was fuel for mill wheels making steel and sail cloth. The river likes to flood its banks now and again and remind everyone who is boss.

I make my living as a storyteller, and those stories take the shape that they require, which means I am at turns a journalist, an essayist, a fiction writer.

For nearly two decades, I have written about architecture, design, and cities for magazines and website. I am interested in the human motivations behind our built environment. I believe that what we build speaks volumes about who we are as a culture. When I write about a city or a building or an urban plan, I also write about human life and aspiration and the way in which our manmade culture impacts and informs our daily selves. My articles and essays have published in The New York Times, The New York Times Magazine, Slate, Metropolis, The Atlantic’s CityLab, and Fast Company’s CoDesign, among many others. I am a contributing editor with Architect and Architectural Lighting magazines. I’ve also taught writing to graduate students at the Maryland Institute College of Art (MICA), and to adults through places like Johns Hopkins University.

My short stories and essays have been nominated for the Pushcart Prize and recognized in Best American Essays, and have been widely published in places like McSweeney’s, The Southern Review, PANK, TriQuarterly Review, Revolver, Post Road, Passages North, and The Little Patuxent Review. In 2015, I received a Sustainable Arts Foundation Award for my creative nonfiction and my essay “On Nostalgia” won the 2015 Hrushka Memorial Nonfiction Prize. My short story “A Modern Girl’s Guide to Childbirth” was selected by Roxane Gay as one of the  2015 Wigleaf Top 50 (very) Short Fiction winners. My short stories have also been a finalist for the Orlando Prize, the Raymond Carver Short Story Contest, and the Writers@Work Fellowship. I was a finalist for the Baker Artist Award in 2016, and am a finalist again in 2017 (the announcement of the awardees happens on May 25, 2017.)

My writing has also been supported with fellowships, grants, and residencies from the Kenyon Review Writers Workshop, the Vermont Studio Center, the Virginia Center for the Creative Arts, the Cuttyhunk Island Writers’ Residency, the Maryland State Arts Council, and the Mid Atlantic Arts Foundation. I am represented by Marya Spence at Janklow & Nesbit.

Contact:  eedickinson [at] gmail [dot] com

Twitter: @elizdickinson